Summer is a State Of Mind: ic! berlin SS25

Boundless Style: The Energy of Bangkok Meets Berlin

The Spring/Summer 2025 campaign was shot in the vibrant Thai metropolis of Bangkok. The city reflects many of the characteristics of Berlin: contrasting elements coming together, a pulsating energy, and an eclectic mix from which new ideas emerge. Individuality and unconventional thinking are core values both in Bangkok and in ic! berlin’s Berlin workshop, where these principles have been passionately upheld since the brand’s founding. The Spring/Summer 2025 collection celebrates the moment and the courage to be different, encouraging personal style expression and authenticity within an open and inclusive community: the spirit of ic! berlin’s global family.

Lightness and Innovation: The Timeless Design of ic! berlin

This season is an invitation to let go and live with lightness. The Berlin design team has reinterpreted retro shapes, transforming them into ultra-light and minimalist models: cat-eye, oval, pentagonal, and even heptagonal frames. These designs, characterized by innovative technical details, refined lines, and extreme lightness, perfectly adapt to any personal style.

ic! berlin uses only carefully selected materials, such as cold-rolled stainless steel from Germany and cotton-based acetate from Italy. The result is timeless, high-quality designs ready for any lifestyle.

Exclusive Colors: Elegance and Character in Every Shade

The sunglasses and prescription frames of this season stand out with carefully composed PVD colors and deep, rich acetate shades. Each model in the collection features subtle color accents that enhance its elegance and uniqueness. ic! berlin’s in-house design team and specialists have developed an exclusive palette of new shades, including Shiny Aubergine, a custom-made PVD color, and Habanero, a deep red lacquer. Additionally, the collection introduces a new gradient for lenses: Pineapple Gradient Polarized. For those seeking a touch of summer freshness, the range also includes acetate frames in the new Deep Ocean color, a stunning, deep blue.

Alessandro Zoppa

1

You’ve been working in the Eyewear and luxury industry for years: what are the current challenges for designers of this particular accessory?

«The first one is certainly the fact that consumers are becoming more conscious and attentive, which entails, on our part, greater attention to detail and artisanal quality. But not only. Today we need to focus on a circular, rather than linear, dimension in terms of thinking and working. It means that we need to design in a conscious way, paying attention to every aspect of the production cycle: from materials sustainability to environmental impact, from product quality to its duration».

2

The new WEB EYEWEAR collection, one of the projects that you managed personally, has made its debut in the past few weeks: what’s the new line about?

«The collection is the result of a long, three-year research process that started with the brand’s rich history and continued until we reached the essence of its core values. First of all, the concept of “being” rather than “seeming”, then, in addition, the transparency theme, that we interpreted in the three-dimensional temple design. It is not by chance that WEB EYEWEAR is the preferred choice for those who, in life, are more interested in substance than appearance and who know that these are elegant products destined to stand the test of time, the fruit of a painstaking design thinking process. It’s the same thing with apparel: you buy a certain garment because you identify with a certain vision that makes you feel like you belong and that allows you to best express your personality».

3

As a creative, what do you think of the campaign that led to the Framing Light event and the involvement of five photographers to interpret the three values of WEB EYEWEAR?

«It was a beautiful challenge, a truly unprecedented event in the Eyewear industry, and the great audience turnout proved us right: today we need experiences that create a dialogue between a product, its philosophy, and art, going beyond the product itself. In this case, it was photography, but I hope that in the future we can create new connections with philosophers, musicians o even chefs: people who can give the audience a moment of beauty, reflection, and poetry. The values that were conveyed by Framing Light reflect the style of the WEB EYEWEAR collection, which is built on the pillars of elegance and simplicity. It was a “cult” exhibition, meaning a cultural event destined to set new trends, like the debut of a sort of “Fuorisalone” in the world of Eyewear».

Stefano Guindani

1

Is it possible to effectively communicate products without ever showing them, just by interpreting the brand’s values, as it was required in WEB EYEWEAR’s Framing Light project?

«The real challenge but also the opportunity posed by this project was to try to interpret these three concepts – transparency, style and quiet luxury – without ever showing the eyewear itself. And to do so without being didactic. But in general that’s how I work, I always try to photograph fashion products without losing sight of their poetic value, to create something artistic that makes people dream: when this happens, it’s the perfect shot, conveying elegance that is never loud or flashy».

 

2

What inspired you in interpreting concepts such as transparency, style and quiet luxury?

«For style or “taste”, a term that can be associated with food but also with the aesthetic sense, I wished to evoke the quintessential Italian taste for beauty and art, manual skills and the ability to create something, like the dirty hands of a sculptor at work. The Marsala salt pans, instead, where water is tinged with pink due to a certain algae, and at sunset turns almost fluorescent in color, were the perfect location to talk about transparency in nature, like in the shot that captures herons flying over the water. For luxury, I decided to photograph a girl sitting outdoors, engrossed in a book, to stress the fact that true luxury today is having time for yourself, to read a book or meditate».

3

What was the most challenging shot?

«The most challenging photos were the ones shot in the salt pans because I wasn’t sure if I would have found the right light, the perfect atmosphere to evoke the concept of transparency, because it mostly depended on the weather. We had to wait a few days, but in the end we got the perfect light».

Marcolin Germany Celebrates Its 40th Anniversary

A Journey That Began In 1985

First in Lörrach, then in Ludwigsburg – charming towns in Baden-Württemberg – and finally in Cologne: these are the key locations that have marked Marcolin’s progression in Germany. It all started in 1985, exactly 40 years ago, with a small office and a handful of young employees. In 2017, the company arrived in the heart of the economic, historical and cultural capital of the Rhineland as Marcolin Deutschland GmbH, establishing itself as a thriving organization with strong local ties. Today, it boasts more than 50 employees, many of whom have been with the company for over 25 years, led by North EMEA manager Stephan Hinkerode.

The Link with German Brands

The 40th anniversary is a milestone and an opportunity not only to look back on memories, but also to highlight the key role the German office has played in Marcolin’s expansion across the EMEA region. This success has gone hand in hand with strengthening ties to three iconic German sportswear and luxury brands in the Longarone Group’s portfolio: adidas (with its Sport and Originals lines), MCM, and more recently, the house brand ic! berlin.

The Employees’ Perspective

The testimonies of Marcolin Deutschland employees confirm the success of a project that began in the 1980s and has stayed true to its vision of being an innovative, international and ever-evolving company, supporting the continuous growth of its employees. This is echoed by Lydia Müller and Manuela Becker, both sales managers at Marcolin since 1999, and by Frank Riethmüller, who joined eighteen years ago to manage budgets and collections and is now a sales analyst and planner. “At Marcolin, we’ve learned a lot and had the freedom to expand our skills. It’s a pleasure to be part of this team and this great Group.”

Marcolin Germany Celebrates Its 40th Anniversary

A Journey that Began In 1985

First in Lörrach, then in Ludwigsburg – charming towns in Baden-Württemberg – and finally in Cologne: these are the key locations that have marked Marcolin’s progression in Germany. It all started in 1985, exactly 40 years ago, with a small office and a handful of young employees. In 2017, the company arrived in the heart of the economic, historical and cultural capital of the Rhineland as Marcolin Deutschland GmbH, establishing itself as a thriving organization with strong local ties. Today, it boasts more than 50 employees, many of whom have been with the company for over 25 years, led by North EMEA manager Stephan Hinkerode.

The Link with German Brands

The 40th anniversary is a milestone and an opportunity not only to look back on memories, but also to highlight the key role the German office has played in Marcolin’s expansion across the EMEA region. This success has gone hand in hand with strengthening ties to three iconic German sportswear and luxury brands in the Longarone Group’s portfolio: adidas (with its Sport and Originals lines), MCM, and more recently, the house brand ic! berlin.

The Employees’ Perspective

The testimonies of Marcolin Deutschland employees confirm the success of a project that began in the 1980s and has stayed true to its vision of being an innovative, international and ever-evolving company, supporting the continuous growth of its employees. This is echoed by Lydia Müller and Manuela Becker, both sales managers at Marcolin since 1999, and by Frank Riethmüller, who joined eight years ago to manage budgets and collections and is now a sales analyst and planner. “At Marcolin, we’ve learned a lot and had the freedom to expand our skills. It’s a pleasure to be part of this team and this great Group.”

Marcolin Talk Back In Milan

From Introspection To Products

«I’m delighted to participate in this event because this project is full of creativity and food for thought» said Andrea Batilla as soon as he stepped on stage to meet the five photographers in the exhibition (Stefano Guindani, Camilla Ferrari, Giulia Mantovani, Niccolò Parsenziani and Gaia Bonanomi), advertising writer, creative director and founder of the Civic Brands Observatory Paolo Iabichino and Marcolin Group Style & Product Development Director Lara Marogna. The latter explained how Framing Light is the result of a dematerialization process of the WEB EYEWEAR brand, whose history dates back to the 1930s. «Initially, we focused on the customer, reflecting on its personality, interests and habits. Then, following this introspective inquiry, we came up with the three values that were interpreted by the five Italian photographers in the exhibition: style, transparency and quiet luxury».

The Value of Transparency

The talk focused on the value of transparency in particular. Because it has a double meaning, in the sense of the transparency of materials but also as a virtue. «To transpose its value into something practical like eyewear, we designed a collection that plays with a subtle, concealed transparency effect, that can be perceived just at the right moment, like a photographer who has to wait for the right light conditions before shooting» commented Lara Marogna. Paolo Iabichino resumed the discussion talking about the importance of photography today. «I’ve always considered photography, even advertising photography, as an artistic thing. And I believe that today it can still be of importance if it is freed from the “clutches” of advertising, if its semantic codes are respected, as was the case in this exhibition».

Choosing Glasses

«It has to be said that fashion has already paved the way on these topics, thanks to its commitment to creating content and cultural projects that try to bridge the attention deficit caused by the Internet» concluded Paolo Iabichino. And if, fortunately, influencer marketing doesn’t work anymore, how can a brand capture customer attention?  «By being a brand that enters people’s lives and resonates with them, being a brand that people choose rather than purchase. This is the only way for people to really choose a pair of glasses: because wearing them means expressing yourself to the world».

Marcolin at MIDO

1200 Exhibitors

Seven pavilions, eight exhibition areas for 1200 exhibitors from 50 different countries and more than 40,000 visitors expected from 160 countries. These are the numbers of the 53rd edition of MIDO Eyewear Show, which will be held in Milan between February 8 and 10. The spotlight will shine on the entire production chain of the world of eyewear: lenses, frames, cases, accessories but also tech news, start-ups, workshops and meetings with professionals. The perfect opportunity to discover new trends and, above all, the latest news in luxury, which – as the most recent Altagamma research confirms – is one of the fastest-growing sectors in eyewear.

MIDO 2025

Hot News: Louboutin

The show is also the ideal location for the eyewear debut of one of the most iconic luxury footwear and accessories brands: Christian Louboutin. A brand that, in Marcolin’s elegant booth, will showcase «Miss Z». An oval frame with a sophisticated design conveying subtle retro elegance and an acetate front embellished with small metal elements reproducing the brand’s iconic red soles, a delicate palmette motif on the metal bridge, and temples clearly nodding to Art Deco. Details designed by Marcolin to enhance the brand’s unique, artistic and refined style.

MIDO 2025

New Trends

Many trends, however, will be presented by Marcolin at Mido 2025. Like the geometric lines of the latest K-Way frame, featuring layers of color on the front and the iconic K on the temples. And then Pucci, with frames that transpose into acetate the colors and lines made famous by his garments; the oversize frames with sophisticated profiles of the Max Mara aesthetic, featuring a combination of acetate and metal; and then Zegna eyewear, which stands out with the Orizzonte sunglasses, and the elegance of TOM FORD, captured in strictly oversize frames.

MIDO 2025

Framing Light Exhibition

Five Different Perspectives

A mix of Gaia Bonanomi’s impressions poised between nature, light and silhouettes, Camilla Ferrari’s poetic interplay of shades and colors, the enigmatic power of Stefano Guindani’s images, Giulia Mantovani’s clean and cinema-inspired aesthetic and Nicolò Parsenziani’s ironic urban style. Five photographers, five different perspectives in terms of age, experience and education, brought together for the «one shot event» Framing Light: Exploring the Essence of Vision through Italian Photography. The exhibition will open its doors to the public only on February 8, from 1 p.m. to 10 p.m., at the Salone dei Tessuti, a prestigious location dating back to the 1920s and located in Via San Gregorio in Milan.

Foto Fotografi Mostra Framing Light

An Innovative Exhibition

An event that was strongly promoted by Marcolin to recount the three values of the WEB EYEWEAR collection, the Group’s house brand: style, transparency and quiet luxury, through the shots of five professional photographers. And an exhibition that showcases the fruits of a little challenge: being able to recount the essence of a brand without ever showing its products, going beyond the traditional concept of eyewear marketing. The five photographers involved, crossing the boundary of advertising photography, evoke emotions and tell poetic and «open» stories for visitors to make their own and interpret.

Framing Light Exhibition

The Talk Appointment

The exhibition follows a contemporary and flexible vision that, on the evening of February 7, will be displayed through a talk during a private event organized by Marcolin. At the event, the five photographers in the exhibition will discuss with Marcolin Group Creative Director Lara Marogna and the Advertising Writer Paolo Iabichino, moderated by fashion designer & consultant Andrea Batilla. The perfect opportunity to discover new perspectives, trends and tips related to the world of eyewear, starting from three words. The brand’s core values.

Framing Light Exhibition

Stephan Hinkerode

1

You worked in luxury brand development until you joined Marcolin in 2016, as the Head of DACH first and then also of the UK and Nordics. Did different countries require different strategies?

«I started working for Marcolin as the general manager of DACH, that means Austria, Switzerland and Germany, and after a few years I had the chance to take the lead of the Nordic and the UK countries, too. Approaching such different markets is very challenging, because you need to look beyond the brand’s core and you also must know the different approaches, needs and preferences of each market. But at the same time you need to keep into account that over the years all the markets change a lot, especially the needs and the customer behavior are completely different».

Stephen Hinkerode
2

How have these markets – that are so strategic for the Eyewear industry – changed over the past years?

«They have changed greatly. Let’s just think about digitalization: this gives us plenty of different playing fields. For example, at the moment the end consumers have the chance to have different online options, so they make their decisions a bit faster or a bit more secure. But, at the same time, they still love to go inside the shop and have this personalized in-store experience: this is so important for end consumers».

Stephen Hinkerode
3

What are the greatest challenges for 2025?

«As for the main challenges, in my opinion, the balance between innovation and the customer-centric approach is a very big key, because we need to make sure we can reach all the opticians, stores and, consequently, our end customers. Another challenge is digital optimization, an issue that Marcolin has always been committed to: if you look at our latest website tool, it’s a customer-centric tool that allows our customers to contact us anytime. And, for us, it’s brilliant that we can connect with our customers off the clock, because this will be the center of our mission also in 2025: to be the preferred eyewear partner for all opticians».

Stephen Hinkerode

GUESS Hits the Slopes

In the heart of the Alps

Zermatt, Cortina and Gstaad: these are the three iconic winter tourist destinations nestled in the heart of the Alps, between Italy and Switzerland, chosen by GUESS for its 2024 GUESS Winter Project, the event that, for the second year in a row, takes the brand to the most scenic alpine locations. The Project includes pop-up stores, Instagrammable places (such as GUESS’ giant swing) and the Winter Ski Capsule collection featuring the brand’s apparel and irresistible eyewear by Marcolin.

Guess winter 2024/2025

Fashion Show at 3000 meters

After the exclusive beach clubs this summer, now GUESS reaches higher altitudes, taking its unmistakable glamorous touch to the ski slopes and lifts. The brand accomplished an impressive feat, organizing a ground-breaking fashion show at an altitude of 3000 meters, at Glacier 3000, the most renowned alpine destination in Switzerland, with 20 models strutting down the legendary Peak Walk, a suspension bridge linking two peaks and offering a 360° view of snow-capped summits above 4000 meters: Eiger, Jungfrau, Matterhorn and Mont Blanc.

Guess Winter 2024/2025

Exhibitions and pop-up stores

But the list of events organized by GUESS for the season doesn’t end here. It includes a collaboration with the Iglu-Dorf Village, a romantic hotel made of snow that every year is reinvented by artists and designers with the new «In the Heart of Ice» igloo. A magic place where visitors can enjoy a hyper-immersive exhibition enriched by nostalgic elements on the mountain theme as well as GUESS Fashion and Home items. But that’s not all: after the great success enjoyed last year in Cortina, the brand opened two winter pop-up stores in the heart of Gstaad; one of them is located inside the five-star Le Grand Bellevue hotel, a go-to location for the habitués of this sought-after destination at 1050 meters above sea level.

GUess winter 2024/2025