Autor: Newsroom

It seems like an infinite amount of time has passed since, at the end of the 1970s, aerial photography by the Frenchman Yann-Arthus Bertrand began to show us the world through the quintessential imagery-filled point of view – according to many filmmakers, scriptwriters and, indeed, photographers – whatever, from a bird’s eye view, is able to capture textures of reality and bring to our attention secrets that the human eye, from a simple ‘American shot’, for example, would find hard to see. Today, drones have replaced helicopters, and for many artists they are the most appropriate tool for capturing the face of nature and cities from the right distance. Neither too close. Nor too far away. Around the world, the column that explores the world from the perspective of eyewear couldn’t help but begin its wanderings from where Marcolin’s story began: Longarone, in the heart of the Cadore region, an area known the world over as the eyewear district, the only one home to one of the very few museums dedicated to the kaleidoscopic historical evolution of eyewear. And what better vantage point than from above? What is evident, under this piece of sky, a stone’s throw from Belluno and destinations with a strong resonance – such as Cortina D’Ampezzo, the Tre Cime di Lavaredo or even the lakes, such as Misurina and Cadore, with their azure waters and Eden-like panoramas – is an emotional geography of a place, and its surroundings, whose freeze frame depicts the range of matching tones of the natural elements. Air, earth, water and fire, in which crackling echoes call to mind snowy scenarios during the quintessential season of these lands i.e. winter, are the most authentic face of a mountain community, united with five others, ideally located in the central southern area of the Belluno Dolomites National Park.

Suspended over 470 metres above sea level, nestled in the largest province of the Veneto region – Belluno – Longarone is considered an open door to an interregnum separating two worlds, with paths traced to rise from the earth, the peaks of its mountains, the Dolomites, listed as a UNESCO World Heritage Site since 2009. It is precisely the peaks of these landscapes that establish an indispensable and undoubtedly emotional bond with the local area and the element of rock. A passion for these mountains that has inspired artists, explorers, such as Vittorino Cazzetta, to whom we owe the discovery of the famous Mondeval hunter, who helped to give an identity to the Mesolithic era in these areas, or writers such as Dino Buzzati, born in this great province of Belluno. The icy influence of the Dolomites flows in the same way in Marcolin, a company with deep ties to the emotional geography of its homeland.

While on the summit of Monte Rite stands the Museum in the Clouds, the highest in all of Europe, paying homage to the mountain as the custodian of a heritage that encompasses the essence of mountain life, with its glass and steel domes on the foundations of a former fort, a remnant of World War I, profiling the most striking glimpse of the Monti Pallidi – the other name by which an ancient legend defines the Dolomites – and to the east of the Cadore region, Marcolin allows this passion to be expressed by the brand that is representative of its DNA, Web Eyewear, which embodies the adventurous spirit and love for the beauty of these places in a contemporary and essential style. And it is precisely the profile of the Dolomites, with its reflections, that is imprinted on the brand’s iconic eyewear: ascending the shades of these peaks recreated along the temples, until reaching the heart of the frame, as if on the summit of a mountain, wearing the most ethereal of elements: air, floating and light.